1st Live-Action Gantz Film to Get Hollywood Premiere

httpvh://www.youtube.com/watch?v=QICB7Ca77UU&

Japanese pop culture theater owner and distributor New People has announced that it will host a special event in Hollywood for the January 20 world premiere of the first live-action film based on Hiroya Oku’s manga Gantz.

Otaku USA Editor-in-Chief Patrick Macias will interview several of the film’s cast members, who will be in attendance at the Hollywood premiere. New People will officially announce the guests before the premiere, although its distribution partner Fathom Events had listed “the two stars, Kazunari Ninomiya and Ken’ichi Matsuyama,” as the interview guests in November. Audience members will be able to submit questions for the interview in a process to be announced next week.

The event is limited to 400 seats at Mann’s Chinese 6 theater, and fans can enter an online random drawing for a chance to buy tickets. Tickets will cost US$15.00 and come with a special Gantz t-shirt.

In addition to the Hollywood event, Gantz will screen in over 300 theaters throughout the United States on January 20. The interviews at the Hollywood premiere will be simulcasted to the other theaters.

From ANN

Awesome ne! Those who are able to go to the premiere are sooo lucky!! Nino will be in Hollywood again….boy, I wish I could go too!! My chances will probably none to very little, but signing up for in cases.

Possibly Related Posts:


Kamenashi Kame’s solo – 1582

I have to admit that I’ve grown to adore Kame these past years, acting wise rather his idol persona. Though, I have sample some of his solos, none left an impression until now. By accident, 1582 was stumbled upon a few weeks ago, this is his solo for the KATTUN Break the Records album. It was certainly not love a first sight, but its historical attributes and intense lyrics were reasons to give the song another try. Eventually, the song become a must-listen-to.

You’re probably wondering what’s 1582 like I was. It’s actually an important date in Japan history…the year where the infamous Oda Nobunaga was defeated and had perished. Thus, many fans have speculated that the song relates to the battle at Honnouji temple as many outdated kanji were used. I have to agree since Kame’s solo performance had revolved around traditional clothing and battle metaphors, may I say it was one breathtaking production! Do a search on Youtube, I guarantee that you will be amazed.

There are actually two version of the solo, CD version is from a woman’s point of view (as Kame had explained) while the concert one consist of both genders. Though, I enjoyed both edition, I found the concert one more interesting and intensifying – the desperate feeling of leaving a loved one and dying the next morning. It’s very much like Nobunaga heading to battle and never returning to his wife. Somehow I found this very fitting to Hakuoki Shinsengumi Kitan as well < — my latest obsession. :D 

Possibly Related Posts: